Wednesday, March 29, 2017

SCBWI NY Conference Report Day 2

The morning of the last day of the conference opened with inspiration announcing awards and grants.
Sarah Baker announced the two Student Illustrator Scholarship winners (http://www.scbwi.org/awards/grants/student-illustrator-scholarship/) were Aura Lewis and Mago Huang.


Aura Lewis
Mago Huang

Cecilia Young presented the awards for the portfolio showcase (http://www.scbwi.org/2017winterportfolioawards/). Honor award winners receive a phone call with an art director and a critique of their portfolios. The Grand Prize winner receives a trip to a New York and a meeting with three art directors. The three honor awards were presented to Victoria Tentler-Krylov, Luke Flowers and Heidi Woodward Sheffield and the Grand Prize winner was Melissa Crowton.


Victoria Tentler-Krylov 

Luke Flowers

Heidi Woodward Sheffield

Melissa Crowton

Jane Yolen spoke about the struggles of midlist authors and their important work. And how changes in publishing such as publishers merging, closing or editors moving present challenges to careers. This motivated her to create the Jane Yolen Midlist Author Grant. The honor award winners were Joan Donaldson and Deborah Trotter. Jane went on to say that the grant was so much more than simply a grant, it was encouragement, a recognition of the quality of the work and belief from all of SCBWI to the authors to keep writing. Then she announced the winner: Jan Peck who was present to receive her award.

Tomie dePaola announced that this would be a final award for his namesake award. (Though SCBWI will honor his legacy with the Narrative-art-award for illustrators each year. https://www.scbwi.org/scbwi-announces-the-narrative-art-award/) He spoke with such affection for all of the illustrators (and illustrations) that he announced this year. And the winners are: Special Mention Lisa Cinelli, Second Runner-Up Rebecca Hirsch, First Runner-Up Stephen Macquignon, First Place Winner Katya Tabakh.


Lisa Cinelli
Rebecca Hirsch


Stephen Macquignon
Katya Tabakh

The Current Landscape of Children’s Books was a topic of a panel moderated by Lin Oliver with Ken Geist (VP & Publisher Orchard Books), Andrew Harwell (Senior Editor HarperCollins), Carrie Howland (Senior Agent, Empire Literary), Eileen Kreit (VP & Publishers Puffin/Penguin Young Readers Group) and Edward Nescarsulmer IV (Agent, Dunow, Carlson & Lerner Literary Agency).

Ken Geist spoke about his focus on picture books for ages 0 – 7 at his publishing house while Eileen Kreit shared that their backlist is her front list. The Young Readers Group at Puffin/Penguin republishes hardcovers into paperback everything from picture books to new adult. Both agents, Edward Necarlsulmer IV and Carrie Howland discussed helping their authors’ careers grow and seeking out new clients. Carrie Howland told us she’s found clients through twitter, blogs and Instagram. Andrew Harwell mentioned the importance of books as a tool for empathy.

My final break out session at this SCBWI conference was with two of my favorite writers Cynthia Leitich Smith (http://cynthialeitichsmith.blogspot.de/p/cyns-books-for-kids.html) and Ellen Hopkins (http://ellenhopkins.com/YoungAdult/). The topics were How to Handle Difficult Subjects with Ellen Hopkins and Writing Within and Across Identity Elements with Cynthia Leitich Smith.

Cynthia spoke first. She emphasized that “All people are made up of Identity elements (gender, race, orientation, religion, region, socio-economic, family composition, body type, physical and mental disabilities, etc.) Some elements people are born with and others are acquired (disability after an accident, socioeconomic changes, traumatic experiences, etc.)” She suggested writers read 100 books by authors writing in their own voices before trying to represent a character from another identity element, 200 if writing about a protagonist.

Ellen discussed her field research. She rode along with vice police officers when researching her book TRICKS. She read a passage of TRICKS and discussed how she manages difficult situations while maintaining honesty in the text. Two things she avoids is placing judgement on the actions of her characters in her books and self-censoring.

The conference closed with a keynote from Sara Pennypacker. She gave her top ten list of advice for creating art for children. My favorite was to leave room for the reader. She doesn’t write what happens exactly, but writes around it. “Take out a sentence or two. Make the kids put A + C together.” 
















Angela Cerrito serves as SCBWI’s Assistant International Advisor. Her novel, THE SAFEST LIE (Holiday House) has been named one of The Guardian’s Best Children’s Books of 2015, a Notable Social Studies Book for Young Readers, a Jewish Book Award Finalist, a Sydney Taylor Notable Book for Older Readers and SCBWI’s Crystal Kite Award. THE SAFEST LIE is based on her research in Warsaw, Poland, including interviewing Irena Sendler, a mastermind spy and member of the Polish resistance who helped over 2,500 children escape the Warsaw ghetto. This research was made possible with the help of SCBWI’s Kimberly Colen Memorial Grant. Angela’s debut novel, THE END OF THE LINE (Holiday House, 2011) about a boy coming to terms with his role in the death of a friend, received many awards including VOYA’s Top of the Top Shelf. Her one-act play IF THEY COME TONIGHT, based on the life of Irena Sendler, was produced in Texas. She speaks about writing, early literacy and the Warsaw ghetto children rescues at schools, workshops and international festivals.www.angelacerrito.com

Friday, March 10, 2017

SCBWI New York Conference Report Day 1


Over 1,000 writers and illustrators braved winter storms to attend the SCBWI Winter Conference in New York City. I was fortunate to arrive in the middle of the night, just before the blizzard.
My first day was spent at the Writers’ Intensive Writing the Novel in Verse lead by SCBWI’s Bonnie Bader and featuring Emma Dryden, Andrea Davis Pinkney, Ellen Hopkins and Sonya Sones. The intensive was a nice balance of lecture, writing exercises and roundtable collaborations.
Bryan Collier and Kathy Evans

The conference opened with a keynote from Bryan Collier who inspired us with his artistic journey and shared an illustrated picture book that brought the audience to tears. He encouraged us to, “Lean into anything you can, remember it all, even into your childhood, even if it is painful. These are your gifts.”
This was followed by a panel about crafting picture books moderated by Laurent Linn with Andrea Beaty, Andrea Davis Pinkney, Greg Pizzoli and Daniel Salmieri. Andrea Davis Pinkney shared, “I don’t tone it down for children. I take them on a journey. My goal is that they don’t even know that they are reading a book.” Andrea Beaty spoke about collaborating with her illustrator and mining her own imagination when her publisher and readers wanted more Iggy Peck, Architect books. Close examination of Iggy’s classmates in the illustrations inspired her new book Rosie Rever, Engineer. Greg Pizzoli compared picture books to music, specifically punk rock. Daniel Salmieri spoke about picture books that inspired him as a child (Stinky Cheese Man) and offered this tip for illustrators, “Mimic the facial expressions and body language of your characters. Feel what the character feels.”
The first day offered two breakout sessions. This is an opportunity for attendees to learn from industry professionals in a classroom type setting. I attended Writing Middle Grade Fiction with Andrew Harwell, Senior Editor Harper Collins and author of The Spider Ring. He used the award criteria for the Newbery Medal to offer advice about writing middle grade fiction that stands out and encouraged writers to seriously consider what makes their manuscripts different and special. A common pitfall he notices in submissions is that they begin with a subject important to a child reader, like divorce, yet include tons of details about the experience examining the parents’ feelings. He urged us to stick to the perspective of children 8 – 10 years old.
Lunch was my first social of the day, the International, Spanish and Translator Social. A large group gathered and discussed international resources, La Cometa (SCBWI’s Spanish Bulletin), publishing in Spanish inside the US and outside the US, international publishers, translator initiatives (SCBWI members can contact ITC@SCBWI.org to be included on the translator listserve) and international rights. 


SCBWI International and Translators Social

My second breakout session was First Chapters with Andrea Davis Pinkney, Vice President and Editor-at-Large of Trade Books at Scholastic. She spoke about the important elements of writing, especially the first chapter and how to invite the reader into the chapter with a hook - pull - hold. Hint: Think about sitting in the audience before a play. The environment indicates that something is about to happen and when the curtain goes up the audience should be instantly dazzled. This is what the first chapter should do for the reader.
Martha Brockenbrough moderated a panel about social media in children’s literature featuring Travis Jonker (The Yarn podcast), Cynthia Leitich Smith (Cynsations) and Matthew Winner (Busy Librarian & All The Wonders) All of whom praised Debbi Ridpath Ohi as someone who uses social media well because: she is a resource for others, she gives takeaways for her audience, she’s playful, she says what we’re all thinking (through her humorous cartoons) and she is truly herself.
Kathy Evans and Debbie Ridpath Ohi
Taherah Mafi spoke about her journey for the closing keynote. She said, “When your skin is thin and you feel things deeply, this can seem like a problem but actually for a writer this is not a problem, feeling deeply is something positive.”


Taherah Mafi and Kathy Evans getting cozy over Taherah's book Shatter

SCBWI threw a Gala Dinner for all in attendance. Imagine a party with 1,000 friends old and new. At the conference I met Tribute Fund award winner Kathy Evans of SCBWI British Isles who has now stepped into the role of co-RA for the region. Kathy’s debut novel More of Me will be released in Germany soon. 
Kathy Evans German cover


You might think that would be a full day at a conference. But SCBWI is known for socials. After the Gala Dinner Party was the opportunity to attend one of three socials: Illustrators, New Members & First Time Attendees, or LGBTQ & Allies. I attended the LGBTQ Social. We discussed new trends in LGBTQ literature with industry experts and shared our challenges and successes. Greg McGoon told of how his fairytale picture book The Royal Heart received positive national media attention and has been acquired by the GSAs of many schools. 


Stay tuned for Day 2 in a future blog post.





Angela Cerrito serves as SCBWI’s Assistant International Advisor. Her novel, THE SAFEST LIE (Holiday House) has been named one of The Guardian’s Best Children’s Books of 2015, a Notable Social Studies Book for Young Readers, a Jewish Book Award Finalist, a Sydney Taylor Notable Book for Older Readers and SCBWI’s Crystal Kite Award. THE SAFEST LIE is based on her research in Warsaw, Poland, including interviewing Irena Sendler, a mastermind spy and member of the Polish resistance who helped over 2,500 children escape the Warsaw ghetto. This research was made possible with the help of SCBWI’s Kimberly Colen Memorial Grant. Angela’s debut novel, THE END OF THE LINE (Holiday House, 2011) about a boy coming to terms with his role in the death of a friend, received many awards including VOYA’s Top of the Top Shelf. Her one-act play IF THEY COME TONIGHT, based on the life of Irena Sendler, was produced in Texas. She speaks about writing, early literacy and the Warsaw ghetto children rescues at schools, workshops and international festivals. www.angelacerrito.com

Sunday, February 5, 2017

Warning: No such thing as just one workshop . . .

by Libby Prcha

In June last year I attended the wonderful Book Bound Retreat in Kent. I’d promised myself that one writing event a year was a necessity, rather than an extravagance, to keep my writing from being pushed to the back of the queue by life’s demand as a full-time working mum of two young children.  Fair enough.
View of the Oosterdok, Amsterdam
 But just as one piece of chocolate invariably leads me to a second, in the autumn I was knee deep in exam essay marking when a SCBWI Netherlands member I’d met at Book Bound sent out news of Angela Cerrito’s Characters in Peril workshop. It was to be held in Amsterdam and together with the kind offer of a bed at her place for the night I couldn’t say no.
Friends had told me that Angela’s workshop would be worth the trip and I wasn’t disappointed. We covered a lot of ground during the day, from broad concerns about our cast of characters to word choice. We considered both the physical and emotional vulnerability of our characters. We’d each brought a favourite book with us to discuss. Mine was Judy Blume’s Tiger Eyes, a brilliant book that I reread yearly. Angela’s gentle insistence that we delve deeper to explain our book choices helped us clarify our goals for our own work.
The day concluded with a webinar with U.S literary agent Linda Comacho, of the Prospect Agency. Linda had a wealth of information and advice to share with us on everything from submissions, to the role of a literary agent. For me, one of the most useful tips was that we should look closely at the communication style of those agents we target and ask ourselves if we’d feel comfortable working in such a way. It was good to be reminded that getting an agent isn’t about getting any agent but about choosing someone you can build a positive working relationship with. Linda herself was living, smiling proof that agents are friendly and approachable.
Workshop participants
The whole day was a treat, from Amsterdam Central Library, a kind of space-aged book-lovers paradise with views over the water, where the event was held, to the incredibly welcoming SCBWI Netherlands members. I came away motivated and inspired with loads of ideas to apply to my WIP.

So, when the very next day registration opened for SCBWI’s Europolitan Conference in Brussels this spring, how could I resist?




About Libby:
Originally from England, Libby now lives and works in the beautiful city of Vienna with her husband raising their two children. Her current WIP is a humorous mystery for teens. She can be reached at libbymfletcher (at) hotmail(dot)com

Wednesday, January 25, 2017

Europolitan Notebook Contest



Calling all illustrators!

We are excited to announce that for this year's Europolitan Conference in Brussels there is a fun opportunity for members to show their artwork. Submit your illustrations for a chance to be featured in notebooks available at the conference and seen by attendees, agents, art directors and editors. A limited number of entries will be selected for the notebooks.
Guidelines:
- You must be a current SCBWI member of one of the organizing regions* to enter
- Art may be black and white, grayscale or CMYK color
- File resolution must be 300 dpi
- Jpegs only
- No image dimensions larger than 14.8 x 21cm (A5)
- File must be titled as follows: Europolitan_Your region_First name_Last name.jpg
- Put 'Europolitan Contest' in the subject line
- Email your file as an attachment, not in the body of the email to belgium-ic@scbwi.org

The deadline is February 20th

Good luck and have fun!
* The five organizing regions are: Belgium-Luxembourg, France, Germany-Austria, The Netherlands, and Switzerland.